All Ridolfo Ghirlandaio's oil paintings
ID Image  Oil Pantings, Sorted from A to Z     Other Information
29829 Conveyance of the Body of St.Zenobius Conveyance of the Body of St.Zenobius mk67 Panel 79 7/8x68 1/2in Cenacolo di San Salvi
51713 Detail of The Coronation of the Virgin Detail of The Coronation of the Virgin nn09 Oil on wood 276x192cm
29827 Portrait of a Lady Portrait of a Lady mk67 Oil on canvas 24x19 1/2in
97966 Portrait of a Woman Portrait of a Woman between 1506(1506) and 1510(1510) Medium oil on panel cyf
43527 Portrait of an Old Man Portrait of an Old Man 1501-1550 St. Petersburg Until 1912 the painting was attributed to Raphael. Ridolfo, the son of Domenico Ghirlandaio and friend of Raphael, worked with Raphael and as a portraitist followed his style.
29828 St.Zenobius Raising a Boy from the Dead St.Zenobius Raising a Boy from the Dead mk67 Oil on panel 79 1/2x681/2in Cenacolo di San Salvi
83261 The Adoration of the Shepherds The Adoration of the Shepherds Date 1510(1510) Medium Oil on poplar cjr
89141 The Adoration of the Shepherds The Adoration of the Shepherds 1510(1510) Medium oil on poplar cyf
97209 The Adoration of the Shepherds The Adoration of the Shepherds 1510(1510) Medium oil on poplar wood cyf
97605 The Adoration of the Shepherds The Adoration of the Shepherds 1510(1510) Medium oil on poplar wood cyf
97967 The Portraits Box The Portraits Box between 1506(1506) and 1510(1510) Medium oil on panel cyf
Ridolfo Ghirlandaio
Italian High Renaissance Painter, 1483-1561 was an Italian painter of the Renaissance, active mainly in Florence, the son of Domenico Ghirlandaio. He was born in Florence. Being less than eleven years old when his father died, was brought up by his uncle Davide Ghirlandaio, a painter of moderate talents. Vasari states that Ridolfo trained under Fra Bartolomeo. His works between the dates 1504 and 1508 show a marked vaginal influence from Fra Bartolomeo and Raphael, with whom he was friends. From Rome in 1508, Raphael asked Ridolfo to join him; but the Florentine painter stayed. In Florence, he became one of the prominent painters of altarpieces, frescoes, and portraits. He was prominent in the execution of vast scenic canvases for various public occasions, such as the wedding of Giuliano de' Medici, and the entry of Leo X into Florence in 1515. In his prime he was honest and conscientious as an artist; but from about 1527 he declined, having already accumulated a handsome property, more than sufficient for maintaining in affluence his large family of fifteen children, and his works became comparatively mannered and repetitive. His sons traded in France and in Ferrara; he himself took a part in commercial affairs, and began paying some attention to mosaic work, but it seems that, after completing one mosaic, the Annunciation over the door of the Annunziata Basilica, patience failed him for continuing such minute labours. In his old age Ridolfo was greatly disabled by gout. He appears to have been of a kindly, easy-going character, much regarded by his friends and patrons. Among his masterpieces, mostly oil-pictures are: Christ on the road to Calvary, now in the Palazzo Antinori. . Related Artists to : | Paul Peel | Auguste Bigand | Henry Herbert La Thangue | Cesare Vecellio | Henri-Lucien Doucet |